Les Miz and Me

Bishop Myriel's
unconditional love
changes Jean
Valjean's life.

I don't usually share anything publicly about a work in progress. Like most writers,  my computer is loaded with partially completed projects--some abandoned altogether, gathering digital dust. As a rule, it's best to keep my current projects to myself. Considering the imminent film release of the musical, Les Miserables, I'm going to risk an exception. 

First, some background. My all-time favorite novel is Victor Hugo's masterpiece. For me, it's more than a story. It ranks next to the Bible as a literary sign and sacrament of God's love for our frail, often broken humanity. No surprise, then, that my most beloved fictional characters are Bishop Charles Francois Myriel and Jean Valjean (in that order). 

Over a 25-year novel writing career, I have "fathered" dozens of fictional children. Now, this is where I risk sounding a little bit weird. I have this mystical theory, you see. Its hypothesis is this: every character of fiction created in the mind of an author or original storyteller has a real life in an alternate or parallel universe. I base this on a common phenomenon that fiction writers experience upon completion of their stories. In my case, having lived with my characters for a year--or more--and knowing them as intimately as I do, letting go and moving on sets in motion a grieving process. It's similar to the emotions generated by the loss of a loved one.

My parallel universe theory plays out in There's More (working title), my current work-in-progress. The story begins with Hugo's Bishop Myriel being called from his existence in another realm to serve as companion and guide to Afterlife. A young priest has just died in a freak accident--one that turns out to be a murder. This is not the bishop's first experience in this capacity on Earth, but he considers it the most remarkable. 

Like the bishop in my story, this is not the first time Hugo's characters have populated my own writing. In The Wisdom of Les Miserables: Lessons From the Heart of Jean Valjean, I reflected on my personal life experience in light of the spiritual/theological themes embedded in the novel. Also, one of my most-read blog posts on this site is "A Model for 21st c. Catholic Bishops," in which I urge the hierarchy of my church to become servant leaders after the manner of the Christlike Myriel.  

I can't wait to see the latest earthly incarnations of Bishop Myriel (Colm Wilkinson) and Jean Valjean (Hugh Jackman). I wish Director Tom Hooper (The King's Speech) success with Les Miz's most recent rendition. And, in that faraway universe, where our fictional characters live, may the real Myriel and Valjean also delight in it.

(c) 2013 by Alfred J. Garrotto
All rights reserved

The Phantom Promise

With a single act of generosity and kindness, Bishop Myriel in Victor Hugo's classic novel, Les Miserables, set in motion a cascade of good deeds that blessed the lives of countless people. Easily lost in this act of profligate kindness is the phantom promise that haunted former convict and petty thief Jean Vajean for the rest of his life.

I've attached to this post a YouTube segment from the stage production. In it the bishop tells Valjean that, like it or not, "I have purchased your soul and given it to God." The price? Six heirloom silver plates and two silver candlesticks. The bishop did not ask Jean Valjean if his soul was for sale. With some holy sleight of hand, he purchased the rights and transferred the deed at once in perpetuity to the Lord. Jean Valjean stood agape, an uncooperative bystander at the sale of his immortal soul, his life here on earth and hereafter.

This catalytic event sets the entire novel in motion. Composer and dramatist Boublil and Schonberg captured all the tenderness and mystery of this scene. I invite you to watch and listen as the bishop exchanges a family treasure for Jean Valjean's soul. Phantom Promise