Thursday, November 4, 2021
Go
With a Pro
Manuscript
Evaluations and Editing
Alfred
J. Garrotto
Expert and Ethical
Entrust your manuscript to an experienced book reviewer, writing instructor, and manuscript editor, who has authored 16 books (both fiction and nonfiction) on a range of topics and themes. In addition, I offer professional editing for other authors. I have covered all the bases as a writer--commercial publishing and independent publishing. As a veteran of the writing business, I see it from both the publisher’s and author’s viewpoint.
My Editing Philosophy
Your work is sacred and primary. I will respect your original text, while
offering positive critical recommendations in the margins or within the text
itself when I see the need. I respect the author’s feelings and sense of pride
and accomplishment.
Some authors request that I revise/rewrite their text, as needed (fee structure upon request since no two projects are the same).
Client Testimonials
"Al Garrotto respected my writing and gave me an honest evaluation. In refining my story, he captured the essence of what I had experienced. His enthusiasm, skill, patience, and diligence to detail leaves no doubt that his editorial ability is 'par excellence.' Al also handled all of the nitty-gritty work required for independent publication. He's the BEST!" Kathryn Davi-Cardinale, Joseph—My Son, My Guide: Communications From the Baby I Lost at Birth
“Al Garrotto's editing work strikes me as the best available. He gave an amazing smoothness to my book. And what a shock to find his fees are far and away the lowest I've run into.” – Author/Educator Richard C. Brown, Ph.D. (When Ministry is Messy and A Practical Guide for Starting an Adult Faith Formation Program)
“Al has taken the place of a (critique) group, pointing out omissions, clumsy constructions, lack of clarity, illogicalities.” – Aline P’Nina Tayar, Author of How Shall We Sing? Picador Australia
"Thanks so much
for your excellent evaluation. Some of your comments I have heard before, but
some were new and most appreciated. I'm looking forward to tackling another
edit and working on some of the problems presented."
-- Christine Sunderland, author of the trilogy: Pilgrimage, Inheritance,
and Offerings.
Fees
Every project is unique and needs to be discussed before a final fee is set.
The following schedule will help you estimate the cost of evaluating/editing
your work.
•
Reading & Evaluation (only)
You'll receive an honest, objective, written evaluation of your work.
(1-5 pages)
Initial reading and evaluation: US$30.00 per 100 ms. Pages.
Return postage required, if you wish your submission to be returned.
Partial ms. and first drafts accepted.
A ms. page is 25 lines, double-spaced. (Single-spaced pages
count as 2 pages.)
• Line Editing
My current fee for
line-editing a manuscript is US$1.75 per ms. page (25 lines, double-spaced).
All inquiries are
welcome. Free consultation.
Monday, October 4, 2021
Inspector Javert is Coming . . . Soon and Very Soon
I’m delighted to announce a mid-November rollout for new my novel, Inspector Javert: at the Gates of Hell. Victor Hugo’s most despised antihero stands on the parapet where the swirling River Seine beckons to him. He hesitates . . . then steps forward.
Readers wonder, “What happened next?” Did Javert cease to exist? Is there life on the other side of life as we know it here on Earth? If there is, what kind of existence awaits Javert—and each of us—on that “other side”? I offer readers my own version of what came next for Javert . . . and might for us. #lesmismusical
Monday, September 27, 2021
Inspector Javert is Coming for You
Here's the front cover for my new novel, Inspector Javert: at the Gates of Hell in both paperback and e-book formats.
Design by Andrew Benzie, https://www.andrewbenziebooks.com/
Publication in early October and available on Amazon and through local bookstores and your favorite ebook seller.
Writing Javert took about 14 months and ever two dozen drafts. The writing came as both a pleasure and a challenge. Javert and I share nothing in common other than our humanness. He's the "anti-me." Climbing inside the head of Victor Hugo's antihero took great emotional energy, but in the process, I got to know him better and understand what made him...Javert.
I can't wait to put it in the hands of readers. Let me know what you think. Thumbs up/down/sideways.
Tuesday, November 24, 2020
Victor Hugo's Testament of Life
“You say the soul is nothing but simply the result of bodily powers that begin to ail. In my heart, Winter gives way to eternal Spring. I breathe the fragrance of lilacs, violets, and roses. The nearer I approach to my eternal home, the plainer I hear around me the crescendo of a universe of endless symphonies.
“Yet, the marvelous simplicity of ensemble washes over me like a warm summer shower. I feel like the charming prince in a children’s fairy tale. For half a century I have been writing my thoughts in prose, verse, history, philosophy, drama, romance, tradition, satire, ode, song. I have tried all. But I feel that I have not said the thousandth part of what is in me.“When
I go down to the grave I can say, like so many others, ‘I have finished my day’s
work,’ but I cannot say, ‘I have finished my life.’ My day’s work will begin
again the next morning. The tomb is not a blind alley; it is a thoroughfare. It
closes in the twilight to open with the dawn.
“I improve every hour, because I love this world as my fatherland, because the truth compels me, as it compelled Voltaire, that human divinity. My work is only a beginning. My monument is hardly above its foundation. I would be glad to see it mounting and mounting forever. The thirst for the infinite proves infinity.”
Victor Hugo
Original Source: Sacramento
Daily Union, March 16, 1882 (twenty years after publication of Les
Miserables and three years before the great man’s death)
Sunday, November 15, 2020
Javert's flaw in "Les Misérables"
“Few characters are scarier than the villain who thinks he is the hero. That is the case for Inspector Javert, the pitiless cop who vows not to rest until he sees our fugitive hero, Jean Valjean, safely behind bars. Is there no room for redemption in his book – even for himself? The Terminator in a frock coat, Javert makes this list through sheer tenacity.”
From “The six baddest Broadway villains”
in “What’s Onstage”
Zachary Stewart, New York, NY
16 September 2020
Saturday, August 1, 2020
Bishop Myriel: In His Own Words -- Chapter 1, The Beauty of Goodness
I have been invited by Art Embraces Words to do a virtual reading this month (August) of a chapter from my latest (2020) novel, Bishop Myriel: In His Own Words. A firm date has not been set, but I will keep my readers informed through all my online social media sources.
Below, is that same first chapter. Enjoy this "sneak preview."
The Beauty of Goodness
[Myriel’s sister, Baptistine]
had never been pretty; her whole life, which had been a succession of pious
works, had produced upon her a kind of transparent whiteness, and in growing
old she had acquired what may be called the beauty of goodness.
-- Fantine,
Book the First, Chapter I, M. Myriel: An Upright Man
I am compelled by grace to
explore a phenomenon I have observed with awe over the course of my lifetime.
We Frenchmen are obsessed with beauty. The ancient Greeks were as appearance-consumed
as upper class culture is today. Yet, they had the insight to peg the root of
beauty to the word, ὥρα (in Koine, their common
dialect). It meant “being one’s hour,” an interesting linkage to be sure.
Beauty, then, knows “what time it is” or better perhaps “knowing who I am and
who I am not.” My personal mandate as a human, then, is to know my true
relationship with every person I encounter, at each stage of my journey and all
the individual days that comprise that journey.
I offer my dear sister
Baptistine as a model of virtuous living. The call to recognize the “beauty of
goodness,” however, applies not only to those having a lifelong resume of
virtue. I have witnessed beauty’s goodness at life’s earliest stages. A toddler
knows no other way of being than “in the moment,” even as the child grows and
changes from week to week. A mother holding her child in her arms, searches
beyond that moment for hints of the emerging man or woman in their maturity. I
suspect that, within every parent there resides an unspoken awareness that they
may not live to see their children fulfill their God-given destiny.
I have
witnessed the beauty of goodness in teenage years, when it easily suffers
displacement along the meandering path to maturity. I pay attention when I hear
of any child, teenager, or young adult taken too soon by illness or tragedy.
Also, when I hear of young soldiers sacrificing their precious lives on the
desecrated altars of their elders’ self-serving wars. Parents and friends
remark, “He was such a fine young man, always ready to assist someone,” or “He was too good for this
world.” My heart cries, “No! The
world needs such young, idealistic men
to stay alive, to make their mark upon our shattered society!” Some of us live
our way into beauty. Others suffer their way to it. I think of patients I have
known in our neighboring hospital whose clear eyes glow with inner light.
The beauty of goodness is like
that hidden treasure Jesus spoke of in Matthew 13:44:
" The kingdom of heaven is like a
treasure, hidden in a field. The one who finds it, buries it again; and so
happy is he, that he goes and sells everything he has, in order to buy that field."
When I discover goodness, be it
for a moment or longer, I rejoice in its native beauty and bask in its bright
light. So inspired, I take quill pen in hand. I lay no claim, on earth or before God, to poetic aptitude. At
those times when I hear the call—I should say “challenge”—of the muse, I dare
to express my heart in the fewest possible syllables. In doing so, I take
comfort in knowing that no other eyes will see—and, God forbid, judge--my
verse.
The Beauty of Goodness
i see goodness
in a mother’s smile
a helping hand
a loving heart
i find goodness
in a kind word
a silent shrine
sunrise aglow
chancing upon the
beauty of goodness
i catch my breath
stand in awe
Friday, June 26, 2020
Inspector Javert--Here's What a Chapter 1, First Draft of a Novel Looks Like
Dear Readers and Colleague Fiction Writers:
The following is my first draft of Chapter 1 of my novel in progress, Inspector Javert, looks like. My fellow writers know well that Chapter 1 of the published novel may bear little resemblance to what you are about to read. So, here goes:
Chapter
the First
Javert’s Leap
“Do
I stand at hell’s threshold?”
“Why
might you think that?”
This
unseen speaker’s voice had an unexpected air of calm . . . welcome.
“I
committed the gravest of all sins. Taking my own life. Now, I must reconcile
myself to accept the punishment I deserve.”
“And
what might that sin be?”
“In
the moment following my discovery of the one true God, whom I had never truly known
. . . we wrestled, as Jacob once did with the angel. Through the whole of one night.
Having wrestled with the author of an even higher law than the civil code, I
could not go back to headquarters—to my life—as if nothing had changed. I might
have even found myself one day in prison. What a fall that would be! To end my wretched
life where it began. And from which unquestioning adherence to law had rescued
me. At the same time, going forward, taking an unmapped step into the future.
Impossible. This very night, my last on earth, unleashed within me the folly of
my life, the wretched horror of facing another day on earth . . . . I sought the coward’s way out. Taking my own life. I
stand before the throne of my Divine Judge, sir, prepared for my final judgement and punishment.”
“And
what do you expect that punishment to be?”
“My
sin is between my Creator and me. Whoever you are, I owe you no further
discourse.”
Javert’s
unknown companion did not respond. “Am I alone again?” the self-condemned new
arrival said. “No matter. I prefer no audience for my commission to the pit of
flames.”
His
companion spoke. “I am sent by God, your Creator and Father, to assure you, my
son, that you are safe.”
“Perhaps
you misunderstood, so I repeat. I am resigned to my fate.”
The
calm, kindly voice repeated his assurance of safe harbor.
Javert
rejected deceit. “Come, Divine Judge! I am a man of action. Cause and effect. Why
do you delay? Only once in my life of honorable service did I hesitate. Only
once violated my sworn duty as defender
of law and right order. See what it cost me! Life. Liberty. Reward for a job
well done. Perhaps promotion to the higher positions which I deserved. Until
the last evil night. If you delay my punishment, I accept that as punishment begun.”
“What
is the last thing you remember?” his companion said.
“Who
are you to ask such a question?” Javert had no history of responding to an
unknown questioner. He demanded confessions. He carried out punishment
proclaimed by a judge, be it jail time or the most feared sentence of all—years
spent in the horrors of the galleys. Even death by guillotine paled by
comparison to a lifetime in chains.
“Permit
me introduce myself.”
The
deceitful response came with a tone of respectful humility.
“I
am Charles Francois Myriel, late Bishop of the Diocese of Digne. Your fellow
countryman. The Divine One whom you recently encountered assigned me to welcome
you to Afterlife.”
“After
. . . life? Then, I . . . I still live?”
“Quite.
But in a form previously unknown to you.”
“A
bishop? . . . . Of the Holy Catholic
Church? Surely you mock me. I reject your disguise, Satan! You have met your
match. I spent my entire life unmasking deceivers like you.”
“Your
caution is reasonable, I assure you. Nonetheless, such was my position in life.
Where you go now there is no rank. All are equal.”
“Then,
you too are an unrepentant sinner?” Javert said. “We arrive together at the
gates of hell to await and share the fire that never consumes.”
“That
is what you expect?”
“I
do and am resigned to it. What other fate may the likes of us deserve? A failed
bishop of the Church and a fallen guardian of the sacred legal codes of France.
How we paragons of righteousness have betrayed our vocations!”
“On
the contrary, Javert.” Myriel stifled a chuckle. “I assure you we stand not at
the edge of the fiery pit. Far from it, it pleases me to report. Exceedingly.”
“Before
you confuse me further, I need to ask how you know me, sir? Have we met before?”
“In
earth-life?”
“Call
it what you will. I am . . . was . . . known for never forgetting a face. I
etched indelibly into memory the image of every man, woman, and child who came
within my broad purview. Though a man of your own faith, I do not recall your
passing my way or ever hearing your name.”
“Correct.
We never met, in France or anywhere during our lifetimes. We do, however, share
a common acquaintance.”
“Oh?
And that might be?”
Javert disliked word games—or any games. When
he demanded a confession, he settled for nothing but raw, unembellished truth.
Cheats and liars, every wrongdoer crossing his path spent time in prison, if
the feared guillotine did not claim priority.
“The
man known to each of us is Jean Valjean, who still walks in Earth time. Surely
you recall that name . . . and face, Javert. I met him only once. You two, I
believe had a lengthy history ”
Hearing
his lifelong nemesis’s name jolted Javert. A flood of memories gushed back in
rapid sequence. Their force rendered Javert speechless. Reclaiming his
composure, he hissed, “Indeed. I . . . know . . . the man.” After a nightmare-filled
pause, he continued, “I despise the very sound of that name. At the same time—and
I cannot believe what I am about to say—I cherish it. Never in my life have such
contradictory emotions flooded me at the same time, regarding the same person.”
“I
must confess,” the bishop admitted, “I have struggled against similar clashes of feelings myself.”
He
recalled his years as a young husband exiled in Rome. Sharing life with his new
bride. Their mutual, passionate love and the hope of bringing a child into the
world. Not long after her death, he felt the call, of all things, to renewal of
his Catholic faith and later—and most surprising—to priesthood.
At
first, he had shunned the image of himself as celibate priest, seeing in it a
betrayal of his lifelong devotion to his life-partner, too soon snatched from
him. She took to her grave their most-prized possession. Hope. A desire for
children. How he fought the call to ministry! The stronger his effort to deflect
God’s call, the more convinced he became that he had already decided to
surrender to the insistent invitation. A decision he never regretted. Not that he
ceased loving his spouse, whom he lifted up daily in consecration along with
the Sacred Bread of Eucharist. He said nothing of this to the newly arrived
spirit, called on earth Inspector Javert.
“About
this Jean Valjean.” With great difficulty he asked, “Does he live still?”
“I
assure you, Javert, he lives.”
Sunday, June 7, 2020
Inspector Javert--Part III, The Third Conversion
| Marius Pontmercy and Cosette, as depicted in an early version of Les Miserables |
"The book which the reader has under his eye at this moment is,
from one end to the other, as a whole and in detail, whatever may be its
intermittences, exceptions and faults, the march from evil to good, from the
unjust to the just, from night to day, from appetite to conscience, from rottenness
to life, from hell to heaven, from nothingness to God. Point of departure:
matter; point of arrival: the soul. The hydra at the beginning, the angel at
the end."
Note: Thenardier could have been the fourth convert. Instead, he remained a scoundrel, presumably for the rest of his life. Hugo tells us Thenardier used Marius's money to book passage to America, where he became a slave trader.
Monday, June 1, 2020
Javert Part II--The essence of Les Miserables and Hugo's "hidden" meaning
I have confession to make. I've read Les Miserables cover to cover several times and have studied individual sections of the text a number times over the years. I've seen a number of film and TV versions, both foreign and domestic and seen the musical production several times, both in San Francisco and New York (with another near-miss in London last summer).
Not until I began researching my next book project (Inspector Javert: Darkness to Light) did I come to realize that Victor Hugo wrote the novel as a conversion story! Here it is in the author's own words as written in the Prologue to Les Miserables:
"The book which the reader has under his eye at this moment is,
from one end to the other, as a whole and in detail, whatever may be its
intermittences, exceptions and faults, the march from evil to good, from the unjust to the just,
from night to day,
from appetite to
conscience, from rottenness
to life, from hell
to heaven, from nothingness
to God. Point of departure:
matter; point of arrival:
the soul. The hydra
at the beginning, the angel
at the end."
There it was, right before my unseeing eyes!
Once I saw the author's underlying purpose in writing the 1,000+ word novel, read the text with a different mindset. I realized that, in addition to the most obvious conversion (Jean Valjean), there were not one but two other characters who underwent a major spiritual change in their lives.
First, there was Javert. In the time following his release of Valjean, after the episode in the Paris sewers, and the time of his famous leap into the River Seine, the Inspector had gone through a long and painful wrestling match with his conscience. The outcome was realization that his whole life had been built on a terrible misunderstanding of right and wrong. Life, he finally saw, was not black-and-white law and order as he had thought. He understood, for the first time in his life, that what he had considered to be punishable vice might, in some way, be virtue.
Javert's conversion was real, but not mature enough to do the work of rebuilding his life. The only way forward, he concluded, was to die. So, he leapt off the embankment into the swirling whirlpool of the Seine. Or did he? I believe he leapt, much to his surprise, into the loving arms of the God who had never given up on him.
This reminds me of Francis Thompson's (d. 1907) famous poem of conversion, "The Hound of Heaven." The first stanza sets the scene:
- - - - - - - -
P.S. I'm still searching for the name of the artist who created the image used in this post.
Don't miss Bishop Myriel: In His Own Words







